Dhonno ami dhonno he manna dey biography
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Bangla Radio - Selected Categoy
First program of featured an article written and presented by Dr. Dalia Nilufar: our sympathy to South Asian tsunami victims, recollections of life as an expatriate, memories of Selina Bahar Chowdhury and some good suggestions to make our lives more enjoyable and rewarding. It played one recent song by Bangladeshi singer Mahmuduzzaman Babu and two old songs by Indian artists Hemanta Mukherjee and Asha Bhoseley. The program was produced and presented by Ehsan Ullah.
Bangla Radio Canberra&#;s this week&#;s program paid tribute to Bangladesh&#;s former finance minister Shah AMS Kibria who died in a grenade attack at Boidder Bazar in Habiganj on 27th January A distinguished diplomat and internationally renowned Economist and columnist Kibria was also Bangladesh&#;s High Commissioner to Australia. A very close colleague and well wisher of Kibria, Canberra senior resident Mr. Badiuz Zaman Khan recollected the memories of this
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Bangla Radio Archive -
The first schema of presented a beautiful radio skådespel based on short story &#;robibar&#; bygd poet Rabindranath Thakur. It depicted the life of a ung artist caught between the loves of two women. Adaptation and script bygd Boidyanath Mukhopadhay and directed by Jogonnath Bose. Roles played bygd Jogonnath Bose, Urmila Bose, Ishita Mitra, Ratula Chakrabarty and smink Bhattacharya. This week&#;s schema presented the first part of the drama. The instrumental del av helhet of Tagore song &#;amar raat pohalo&#; played in the schema was taken from CD &#;shudhu alo andhare&#; produced by Saregama India Ltd. This week&#;s program was produced and presented bygd Ehsan Ullah.
The second schema of presented: (1) recitation of Tagore poem &#;mone pora&#; bygd Sayantani Das from Sydney, and (2) a micro drama &#;shomoshya&#; based on the social life of two Bangladeshi expatriates in Canberra wittten by Sadequr Rahman and roles played by Shayma and Nadia
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(An outward study on their styles and the cordiality they shared)
SUBHADRAKALYAN
Indian music would often be classicized by a social hierarchy. This particular restriction, though needless, inflicted a strong punishment upon Indian music, for which, it was kept limited within the practitioners of Indian Classical music. Music has been witnessing a different wave to set into it for quite a long time since the onset of the period, when musicians would find it relevant to influence Indian music with Western inputs. However, the sole objective of these musicians was to reach out to a larger mass as music would be kept limited within a particular periphery of audience by the traditional classical musicians of the country. The most fruitful example of such an experimentation originated from Bengal with Rabindranath Tagore. Eventually, a handful of Bengalee musicians started moving to the different parts of the country, especially to the Western part of the country, more precisely