Eduardo kac education quotes

  • Eduardo kac rabbit
  • Eduardo kac bio art
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  • The Deep Meaning of Poetry: Eduardo Kac’s Art of the Fundamental Processes

    Networks, Interactive Arts, Telepresence, Robotics

    In his wide activity, Eduardo Kac has been working with digital technologies, telepresence and networks. In these realms he has been especially interested in the possibilities of a "dialogue based on telecommunications, to the extent that it overcomes local boundaries and makes intersubjective experiences possible across the network on a global scale". 1 It is the art of networking, opposed to the "monological ideologies" 1 embodied by the traditional oneway television transmission. This "dialogism", this reciprocal information exchange that fryst vatten a critical topic in networks and telecommunications, pervades all Kac's artistic research, including outside the digital and networks realms. Along this path he identifies the potentialities of participation, of the interactive artistic forms (that he calls "dialogic electronic

  • eduardo kac education quotes
  • Eduardo Kac

    Brazilian artist

    Eduardo Kac (born July 3, 1962)[1] is a Brazilian and American contemporary artist whose portfolio encompasses various forms of art including performance art, poetry, holography, interactive art, digital and online art, and BioArt. Recognized for his space art and transgenic works, Kac works with biotechnology to create organisms with new genetic attributes.[2][3][4] His interdisciplinary approach has seen the use of diverse mediums, from fax and photocopying to fractals, RFID implants, virtual reality, networks, robotics, satellites, telerobotics, virtual reality and DNA synthesis.[5]

    Life

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    Kac was born July 3, 1962, in Rio de Janeiro, Brazil.[1][6] He became fluent in English as a child.[7] He studied at the School of Communications of the Pontifical Catholic University of Rio de Janeiro, receiving a BA degree in 1985,[1][8] and then at th

    “Today, the 4-billion-year-old regime of natural selection is facing a completely different challenge. In laboratories throughout the world, scientists are engineering living beings. They break the laws of natural selection with impunity, unbridled even by an organism’s original characteristics. Eduardo Kac, a Brazilian bio-artist, decided in 2000 to create a new work of art: a fluorescent green rabbit. Kac contacted a French laboratory and offered it a fee to engineer a radiant bunny according to his specifications. The French scientists took a run-of-the-mill white rabbit embryo, implanted in its DNA a gene taken from a green fluorescent jellyfish, and voilà! One green fluorescent rabbit for le monsieur. Kac named the rabbit Alba. It is impossible to explain the existence of Alba through the laws of natural selection. She is the product of intelligent design. She is also a harbinger of things to come. If the potential Alba signifies is realised in full – and if humankind doe