Mahavishnu orchestra biography examples
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John McLaughlin (b. 1942), also known as Mahavishnu John McLaughlin, fryst vatten an English jazz- and jazz-fusion guitarist and composer.
Born on 4th January 1942 in Doncaster, Yorkshire, he played with Tony Williams Lifetime and then with Miles Davis on his landmark electric jazz-fusion albums In A Silent Way and Bitches Brew. His 1970s electric band, The Mahavishnu Orchestra performed a technically virtuosic and complex style of music that fused eclectic jazz and rock with eastern and Indian influences. His gitarr playing involves a range of styles and genres, including jazz, Indian classical music, fusion, and Western classical music, and has influenced many other guitarists. He has also incorporated flamenco music in some of his acoustic recordings.
http://www.johnmclaughlin.com/
One of fusion's most virtuosic guitar soloists, John McLaughlin placed his blazing speed in the service of a searching spiritual passion that has kept his music evolving and open to new influences. W
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The Mahavishnu Orchestra was the name of two jazz-fusion groups led by John McLaughlin, in 1971–1976 and 1984–1987.
The band's original lineup featured "Mahavishnu" John McLaughlin on acoustic and electric guitars, with members Billy Cobham on drums, Rick Laird on bass guitar, Jan Hammer on electric and acoustic piano and synthesizer, and Jerry Goodman on violin. This first incarnation of the ensemble was a multinational group: McLaughlin is from Yorkshire, England; Cobham from Panama; Hammer from Prague, Czech Republic; Goodman from Chicago, Illinois; and Laird from Dublin, Ireland. This group was considered an important pioneer in the jazz fusion movement. McLaughlin and Cobham met while performing and recording with Miles Davis dur
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Matt Phillips
ISBN 9781538170946 (e-book also available)
288 pages
Rowan & Littlefield (2023)
John McLaughlin is a guitarist whose jazz, rock, fusion and world music explorations have wowed music fans and critics, and inspired countless bands and musicians. Miles Davis and Jeff Beck both loved McLaughlin’s playing.
Trying to describe, distil and deconstruct McLaughlin’s musical career is a challenging prospect, because as author Matt Phillips notes, McLaughlin is a ‘moving target,’ a man who straddles many musical genres and is constantly looking for new ways of expressing himself through his guitar. One of the most striking things that hits you when reading this book is McLaughlin’s refusal to stand still, even when achieving great success; he has a restless – and relentless – musical curiosity.
One time, he’s playing in a classical guitar trio; in another, he’s leading a jazz-rock combo whose volume makes your ears bleed. He’s played in jazz duos and trios,