Lubos fiser biography of donald
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Tribute to Luboš Fišer
“Something should happen in a concert. I don’t know what. But, every time, I’m expecting a miracle. I’m not very humble about this!” says Prague Spring Artist-in-Residence , Moldovan-Austrian-Swiss violinist and performer Patricia Kopatchinskaja. The Guardian newspaper described what she’s like on stage, referring to her as “a coiled spring that could unwind in any direction”. PatKop, the nickname Kopatchinskaja gives herself, astonishes her audiences, not only when she walks onstage barefoot, but also with her imaginative, almost fanciful performances, such as Everyday Non-sense, Dies Irae, a response to the climate crisis and displacement, Bye-Bye Beethoven, Kafka Fragments and the Neo-Dadaist opera production Vergeigt. The recording of her own original project Death and the Maiden won a prestigious Grammy award in
“The evening dedicated to Luboš Fišer will perhaps mean the most to me, since I think he is too little known and deserves much
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Lubos Fiser (born on September 30th , died on June 22nd in Prague), studied composition with Emil Hlobil both at the Prague Conservatory () and at the Academy of Performing Arts (graduated ). His graduation work, the one-act opera Lancelot, has already featured the substance of his musical expression - it is based on a melody supporting themes, formulated often in a very lapidary way which is then developed with complex and non-traditional way of compositional thinking. The effect of his music is both simple and complex at the same time as though to be chiselled from stone. He started off from the post-romantic music tradition (two symphonies, Suite for orchestra, Sonnets to texts by Michelangelo, and other works composed at the end of the fifties), and his own opinion and style prevails in the early sixties. Key works of that period are Fifteen Prints after Durer’s Apocalypse and choral Caprichos, inspired by Goya’s cycle of • Tribute to Luboš Fišer“Something should happen in a concert. I don’t know what. But, every time, I’m expecting a miracle. I’m not very humble about this!” says Prague Spring Artist-in-Residence , Moldovan-Austrian-Swiss violinist and performer Patricia Kopatchinskaja. The Guardian newspaper described what she’s like on stage, referring to her as “a coiled spring that could unwind in any direction”. PatKop, the nickname Kopatchinskaja gives herself, astonishes her audiences, not only when she walks onstage barefoot, but also with her imaginative, almost fanciful performances, such as Everyday Non-sense, Dies Irae, a response to the climate crisis and displacement, Bye-Bye Beethoven, Kafka Fragments and the Neo-Dadaist musikdrama production Vergeigt. The recording of her own original project Death and the Maiden won a prestigious Grammy award in The exceptional talent of this artist fryst vatten also reflected in numerous residencies at such institutions as London’s Southbank Centre | |||||||||